See also Best Picture Winners More Awards: Academy Awards (1929-present) Emmy Awards (1949-present) Golden Globes (1944-present) People's Choice Awards (1975-present) Cannes Film Festival (1939-present) Sundance Film Festival (1985-present) In a statement released through Twitter, he wrote "Traumatized critics exhale: I'm unable to do the Oscars again. We'll have to see how the actual Oscar night plays out, but until then my take is: How about it, readers - which film you think will be named Best Picture at the 2014 Oscars ceremony? © 2019 Academy of Motion Picture Arts and Sciences, Dolby Theatre at the Hollywood & Highland Center, Janet Friesen, Morgan Neville, Darlene Love and Caitrin Rogers, The Best Actor winner for Dallas Buyers Club cuts up in the audience, Best Picture winners for 12 Years a Slave, Supporting Actress winner for 12 Years a Slave, Actor in a Leading Role - Chiwetel Ejiofor in "12 Years a Slave", Actor in a Supporting Role - Michael Fassbender in "12 Years a Slave", Production Design - Production Design: Adam Stockhausen; Set Decoration: Alice Baker, Documentary (Feature) - Joshua Oppenheimer and Signe Byrge Sørensen, Sound Editing - Steve Boeddeker and Richard Hymns, Actress in a Leading Role - Amy Adams in "American Hustle", Actor in a Supporting Role - Bradley Cooper in "American Hustle", Best Picture - Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers, Actor in a Leading Role - Christian Bale in "American Hustle", Film Editing - Jay Cassidy, Crispin Struthers and Alan Baumgarten, Actress in a Supporting Role - Jennifer Lawrence in "American Hustle", Production Design - Production Design: Judy Becker; Set Decoration: Heather Loeffler, Writing (Original Screenplay) - Written by Eric Warren Singer and David O. Russell, Short Film (Live Action) - Esteban Crespo, Actress in a Supporting Role - Julia Roberts in "August: Osage County", Actress in a Leading Role - Meryl Streep in "August: Osage County", Avant Que De Tout Perdre (Just before Losing Everything), Short Film (Live Action) - Xavier Legrand and Alexandre Gavras, Writing (Adapted Screenplay) - Written by Richard Linklater, Julie Delpy, Ethan Hawke, Actress in a Supporting Role - Sally Hawkins in "Blue Jasmine", Writing (Original Screenplay) - Written by Woody Allen, Actor in a Supporting Role - Barkhad Abdi in "Captain Phillips", Sound Mixing - Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro, Best Picture - Scott Rudin, Dana Brunetti and Michael De Luca, Producers, Writing (Adapted Screenplay) - Screenplay by Billy Ray, Documentary (Short Subject) - Jeffrey Karoff, Animated Feature Film - Chris Sanders, Kirk DeMicco and Kristine Belson, Documentary (Feature) - Zachary Heinzerling and Lydia Dean Pilcher, Film Editing - John Mac McMurphy and Martin Pensa, Best Picture - Robbie Brenner and Rachel Winter, Producers, Writing (Original Screenplay) - Written by Craig Borten & Melisa Wallack, Animated Feature Film - Chris Renaud, Pierre Coffin and Chris Meledandri, Music (Original Song) - Happy in "Despicable Me 2" Music and Lyric by Pharrell Williams, Documentary (Feature) - Richard Rowley and Jeremy Scahill, Animated Feature Film - Benjamin Renner and Didier Brunner, Documentary (Short Subject) - Jason Cohen, Short Film (Animated) - Daniel Sousa and Dan Golden, Short Film (Animated) - Lauren MacMullan and Dorothy McKim, Best Picture - Alfonso Cuarón and David Heyman, Producers, Production Design - Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard, Actress in a Leading Role - Sandra Bullock in "Gravity", Best Picture - Megan Ellison, Spike Jonze and Vincent Landay, Producers, Production Design - Production Design: K.K. Dolby Theatre at the Hollywood & Highland Center. A list of films nominated for Academy Awards' "Best Motion Picture of the Year". U2; lyrics by Paul Hewson, a.k.a. Steve McQueen’s harrowing adaptation of Solomon Northup’s memoir has been riding a wave of critical acclaim ever since it wowed audiences in Telluride and Toronto, so it’s no surprise to see it leading the Oscar frontrunners for Best Picture. Intricate historical details and strong performances by Russell's trusted acting troupe (Christian Bale, Amy Adams, etc.) Furthermore, actress and comedian Tina Fey, who co-hosted the 70th Golden Glo… The Bottom Line: American Hustle was recognized early in awards season (see: the Golden Globes), but has slowed down of late. For a recap of each award that went out on Sunday night, scroll through our list of all nominees and winners. All rights reserved. It’s time for Total Recall! Alfonso Cuarón’s interstellar adventure came freighted with high expectations, and delivered both commercially and critically — making it the kind of all-round winner the industry loves to reward. What's good about the film? Barrett; Set Decoration: Gene Serdena, Production Design: Adam Stockhausen; Set Decoration: Alice Baker, Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro, Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro, Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson, Skip Lievsay, Greg Orloff and Peter F. Kurland, Andy Koyama, Beau Borders and David Brownlow, Tim Webber, Chris Lawrence, David Shirk and Neil Corbould, Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds, Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick, Tim Alexander, Gary Brozenich, Edson Williams and John Frazier, Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton, Written by Richard Linklater, Julie Delpy, Ethan Hawke, Written by Eric Warren Singer and David O. Russell. Meanwhile, Gravity earned honors for Alfonso Cuaron (Best Director), Best Original Score, Best Film Editing, Best Cinematography, Best Sound Editing, Best Sound Mixing, and Best Visual Effects. With dual acclaimed performances — as Walt Disney in Saving Mr. Banks and the besieged captain in Paul Greengrass’s real-life thriller — it’s a good chance the multiple Academy Award winner will be revisiting the podium this year. 12 Years a Slave director Steve McQueen portrays Solmon's horrifying plight through meticulous editing and powerful imagery, so as to create a vivid portrait of slaves' hellish existence in the antebellum South. The final result is a simple and steady-paced narrative, which gives rise to a film that is equally so - one that could also be taken as sluggish and condescending, depending on how you look at it. Copyright © 2018 Fandango. Original Song "Let It Go" from Frozen. Couple that with a backlash in popular opinion and its best chances at the Oscars might lie with categories like Production and Costume Design - not the top prizes (acting, Picture, etc.). 20 Feet from Stardom. The 2014 awards season has been quite the roller coaster ride, with regard to the differences in which films have been recognized at the biggest pre-Oscars events (Golden Globes, BAFTAs, and so forth). Turn on desktop notifications for breaking stories about interest? Joaquin Phoenix excels at serving as the strange, yet empathetic heart of the film, while Scarlett Johansson engineers (no pun) a rich character using only her voice. Dazzling in its digital virtuosity, the Sandra Bullock-George Clooney starrer used the latest advancements in CG technology for the old-fashioned purpose of bringing audiences to the edge of their seats, where they dutifully remained, in thrall, for 90 minutes. Tried to make it work schedule-wise, but I need sleep." Slave, the historical drama based on the true story of Solomon Northup, took home Best Picture, Best Supporting Actress (for Lupita Nyong’o), and Best Adapted Screenplay (for John Ridley). It’s a tender and comedic but also intelligent look into the way humans interact, told in a distinct voice that could only be Jonze’s. What would be your rankings for Sunday's Academy Awards? Indeed, the digitally-created space environment is a key component of the storytelling, but has to make up for some less-innovative plot components (especially, in the third act). Offers may be subject to change without notice. The final result is a fantastic (meta-)physical meditation on spiritual rebirth, presented as a non-stop heart-pounding adventure to survive in space. Why It Should Win: Filmmaker Alexander Payne takes moviegoers on another funny, yet melancholic road trip with Nebraska - boasting Bruce Dern, June Squibb and Will Forte (all in fine form) as passengers. Still, this one’s got as good a chance as Scorsese’s had of late. All rights reserved. For complete coverage on the awards season, CNN Oscar ballot: Make your choices, share your picks. make this movie the entertaining (and revealing) cinematic equivalent of a funhouse mirror. Why It Shouldn't Win: Captain Phillips often feels like a work of journalism, which is to say that certain elements of the story are explored in depth while others are short-changed. Awards season is in full swing, and film fans everywhere are either debating their picks for who’s about to win or arguing over those who’ve already won. Oscars 2014 Results: Complete Winners' List, FiveThirtyEight interviews voter Jon Anderson | FiveThirtyEight, FiveThirtyEight interviews voter Roberto Sanchez | FiveThirtyEight, FiveThirtyEight interviews voter Andrea Johnson | FiveThirtyEight, FiveThirtyEight interviews voter Thomas Jones | FiveThirtyEight. At this point in time, the two top contenders to win the Best Picture Oscar seem to be Gravity and 12 Years a Slave - which could mean that we see a split this year, where one wins for Best Director (Gravity, more likely) while the other is crowned Best Picture. “The story touches on some of the thorniest issues of Catholic doctrine and tempers its righteous anger with a tone more sad than bitter,” noted J.R. Jones at the Chicago Reader. Why It Should Win: Chiwetel Ejiofor offers a soulful performance (even while Michael Fassbender plays quite the unforgettable monster) in this drama based on the true story of free man-turned-slave, Solomon Northup. He’s got solid support in this tense high-seas nail-biter, too: Barkhad Abdi gives him a run for his acting dollar as the desperate Somali hijacker, and Greengrass is in typical queasy faux-doco form.

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