Red Panda Particle granular delay / pitch shifting peda. Since his last release, the longish EP Boomerang in 2017, Moss has kept quiet on social media and with the press. What’s been inspiring the music on your debut album? Literally, every track Elliot Moss played was made for contemporary dancers. He stands on stage and organizes beats like a doctor would his patient list. Tweets by His facial expressions and upper body movement are the main focus as he arches his back singing. Literally, every track Elliot Moss played was made for contemporary dancers. The track quickly segues into “My Statue Sinking” an orchestral interlude with few autotuned lyrics. Usually works out okay after I give myself some space from the song, but it can be really frustrating. But aside from all of that, there’s this thing that sort of clicks when you know you’ve got something and it’s kind of like “hands off, stop messing with it” and you stop. With his curly, blond hair dancing over his eye like an homage to Aaliyah, Elliot Moss brought a cool, introverted aesthetic to Elsewhere. Note: Unlike reviews, comments are considered temporary and may be deleted/purged without notice. Get your best lyrics from Boomerang at Music Lyrics Elliot Moss is a New-York based songwriter and producer, active since 2014. One would be hard-pressed to find an artist as intriguingly inimitable as New York-based musician Elliot Moss. I kept on thinking of the strange, symbolic moves that you see couples choreograph; tossing their bodies to the ground, flopping their arms to their knees, and kicking their heads back as if love punched them. The instrumentation feels just as heavy as the lyricism, as the two complement one another in seamless polyphony. What are your favorite guitar pedals? The swirling blue and deep red colors of the cover of Elliot Moss’ latest EP, Boomerang, sets the tone of the record, with warm and cool tones melting into one work of art. Interview with Baseball Game: Bouncing Back from the Hardships of Little League Language, Musical Projects, and Métis Culture: An interview “I built a modular Oberheim SEM rig that’s been a big part of things recently.”, “Neve 33114 is my vocal preamp. Elliot Moss' newest single “Barricade” deftly denotes trying to go through the motions of life while fighting off anxieties. LA-based Morgan Delt crafts acid-tinged tracks that…, Miniature Tigers is officially back with their first release since 2014. And that stuff is really fun to play with… but, I ended up realizing that it’s much more rewarding, and feels more genuine, to really play these tunes with human beings. Moss’ composing skills make him a versatile singer — he’s adept at writing upbeat, party music and billowing instrumentals, all with thoughtful lyrics. “Oh it would be better if the world slowed down,” he croons. As the song continues, Moss sings: No matter how much he tries, it remains increasingly fatiguing to keep up. The slow tempo and autotuned vocals feel like the fog of a breakup; it’s so hard to move on and trudge through everyday life knowing your partner is no longer with you, but you go on as best as you can. As for lyrics, they usually focus on one experience / thing for me. “Don’t hold your breath waiting on me, cause I might never come home” Moss tells us on “99” over swelling instrumentals that add mystery to the question of “what is he avoiding?” Hand clap percussion snaps you to attention toward the end of the song, paired with just Moss’ voice. Is this process more intuition, luck or self-discipline – or a mix of the three? Like the contrast of the red versus blue color, or the back and forth of a boomerang, the album is built the push and pull of opposing sides. How much do we put ourselves out there? He tosses his notes into the mix like a pinch of salt or a splash of sugar; in other words, a touch of pain or a hit of love. Today’s Song: Elliot Moss Fights Anxieties and Builds a “Barricade”, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Pocket (Opens in new window), Click to share on Pinterest (Opens in new window), Click to email this to a friend (Opens in new window), Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels, Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’, Feature: Deciphering the Ghost of Jackson C. 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I spend a lot of time playing with noises, pedals, synths, plugins, etc. I write in both. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. ‘Highspeeds’ [streaming below] happened so quickly, I had this lyric in mind and sang it over a drone a few times. Any comments about the current state of music and art in nyc? The track fades into the next, “Without the Lights,” a more upbeat track. If I need it to happen, I can usually start something going, though it’s a lot harder. Sometimes bass.”. He released his debut album, "Highspeeds", in 2015. Since his last release, the longish EP Boomerang in 2017, Moss has kept quiet on social media and with the press. Then there are things on the back-burner that I find and say “hey wait, I can grab this and that” and reanimate parts of a tune, so to speak. 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