The playing here is superb, and we're treating to versions of classic songs that when removed from their studio albums are given enough room for Jimi to go deep with his solos and approach. I don't think is necessarily even the best selection of songs from the gig so I'd recommend getting Blue Wild Angel instead. The fact is that Hendrix died way too early, so any great-sounding, even mediocre shows will still be celebrated by fans for the moments of brilliance they contain. The problem was that much of the new material was under-rehearsed for a live setting, giving some of the newer songs like "Dolly Dagger" more of a jam feel. [url=https://www.setlist.fm/edit?setlist=bd6bd62&step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/jimi-hendrix-bd6ad56.html]More Jimi Hendrix setlists[/url], Honolulu International Center, Honolulu, HI, Blue Wild Angel: Live at the Isle of Wight. Hendrix was quite frustrated with the show's equipment not working correctly at times and even allowing for radio feedback to come in on the PA! Hendrix's definitive interpretation of Bob Dylan's "All Along the Watchtower" sounds good here, but it lacks the extra sonic polish of the studio version. It would almost be amusing if this wasn't Hendrix in his last moments, as it were. Isle of Wight is a posthumous live album by Jimi Hendrix, released in November 1971 by Polydor in the UK only. Hendrix is plagued by equipment problems and audience expectations, and the entire festival had degenerated into something of a debacle by the time Jimi hit the stage as headliner. Isle of Wight, an Album by Jimi Hendrix. Billy Cox on bass handles the bottom rhythms nicely. The full set is available on the album "Blue Wild Angel: Live at The Isle of Wight" and I'm not sure why they didn't release a double album first time around. Get the Jimi Hendrix Setlist of the concert at Afton Down, Freshwater, England on August 30, 1970 from the Cry of Love Tour and other Jimi Hendrix Setlists for free on setlist.fm! "Red House" closes with Hendrix's absolutely wicked blues shredding. Billy Cox makes the ensemble work much better than Noel Redding ever did, a fine example being where Hendrix sits out for some time on what is easily the longest of my 20 versions of Foxy Lady. Despite it all, the best moments of Live at the Isle of Wight 1970 show that Hendrix's playing occasionally seemed effortless and natural. Hendrix was quite frustrated with the show's equipment not working correctly at times and even allowing for radio feedback to come in on the PA! (Guitar fanatics will be fascinated by watching Hendrix play a Gibson Flying V on a handful of songs instead of his trademark, upside-down Fender Stratocaster.)

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