You really feel the atmosphere of the Brooklyn area. . And he returns home to visit his dying mother (Vanessa Redgrave), but his father (Maximilian Schell) throws him out, crying "murderer!" This film is very bare, very raw yet somehow harmonious, as well. It's a set piece when a dramatic scene is needed. Coming Soon. and the Terms and Policies, Intensively and artistically this film displays a chaotic & desperate family, a destiny very honest and very haunting. Edward Furlong whom I usually don't much care for even pulls off a very believable character. Consider, for example, the kid brother. Like most other great films, it's structure is fairly simple, but yet so powerfull that I can guarantee it will have an impact on you. |, January 1, 2000 A stunning debut by this young writer-director -- Dostoyevskian themes, an exact sense of place, and a lyricism touched by few of his peers. The first feature of James Gray already relies on his favorite theme, which is the breaking of a family and the choices that result from it. Edward Furlong, one of my favorites, unfortunately does not do as well. Great soundtrack too, with Arvo Part. None of these need a contrived crime plot to make them work, and when "Little Odessa" is over, you wonder if it wasn't really meant to be a family drama - and that the idea of making the son a hit man was an afterthought, to make the project more attractive to investors. There are a lot of exteriors that show a frozen, snow covered New York, but the whole thing is so wonderfully photographed that it actually made me feel chilled. James Gray has directed with a sure hand, exerting amazing control over a wide variety of performers and flawlessly maintaining a haunting and menacing mood in his tale of crime and punishment among Russian immigrants in Brooklyn. and to receive email from Rotten Tomatoes and Fandango. FAQ The whole undercurrent of child abuse in the movie is unconvincing, and doesn't provide much of an explanation for Joshua becoming a hit man. This is a review of "Little Odessa", "The Yards" and "We Own the Night", three crime dramas by director James Gray. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. Tim Roth is fantastic as the disowned, disgraced, murderous son. I'm a long time fan of Tim Roth, who doesn't do nearly as much as I'd like him to, these days. This is a great film, and considering this is a debut for the director, it's even more impressive. Worth checking out if you don't mind a slower, more cerebral sort of hit man movie. The shots are very good done. Cinemark | Rating: 2/4 And the guy was only 24! In the opening moments of "Little Odessa," a hit man played by Tim Roth walks quickly across a street toward a man on a park bench, and shoots him dead. Long separated from his Russian family, hit man Joshua (Tim Roth) returns to Brighton Beach for a contract killing for the Russian Mafia. In "Little Odessa" (So dubbed after the Russian enclave of the same name in Brooklyn), Roth plays a hit man who returns to the neighborhood of his youth only to find that family matters are not as easily settled as contract killings. Some individual passages are very well done. He looks up the girl, Alla (Moira Kelly), and they go to a movie. I saw this movie at a quite low age, I consider it one of the films that evoked my passion for this art form. | Rating: 1/5, March 27, 2006 He goes home to visit his dying mother, Irina (Vanessa Redgrave), and prepares for the assassination, getting drawn back into the criminal community he left behind. Will play best with reality freaks into crime dramas. | Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. 9/10. drama, | Rating: 3.5/4 It is not an action film, even though the main character is a hit-man. There are huge plot holes to go along with an ending that makes little sense. | Rating: 3/5, November 19, 2003 Normally the Russian community in USA is not portrayed too often (Lord of War an exception), and they arrived in a society where they lost a lot of status. The percentage of users who rated this 3.5 stars or higher. The use of the Russian choral music throughout set the mood on medium-creepy, even when that was the only clue. This is a film without any greater hope, without any greater optimism of our future. Please click the link below to receive your verification email. There are no approved quotes yet for this movie. We want to hear what you have to say but need to verify your account. |, May 19, 1995 Tim Roth is an amazingly versatile actor; compare this character from Brooklyn with his Cockney thief in "Pulp Fiction" and his foppish con man in "Rob Roy." They refer to blacks a "Schwarzes" and Christians as "Goyim", showing no desire to assimilate. All Critics (18) | Rotten (7). Please enter your email address and we will email you a new password. Some became succesful and moved to safer suburbs, but the ones who were not able to adapt so easily, end up stuck in a ghetto where they are bitter and isolated from the rest of the city. The thing I remember that most impressed me about Little Odessa was how director James Gray actually made me feel cold. He learns that his next job will take him to the Brighton Beach neighborhood of Brooklyn. Writer/director James Gray's (We Own the Night) first film was critically acclaimed for it's cinematography and for performances by Vanessa Redgrave and Maximilian Schell. Don’t worry, it won’t take long. great for movie fans, but not for the popcorn-munching masses. Rated R I cant lie, that was the hook for me being as I love Scorsese gangster movies. By creating an account, you agree to the Privacy Policy By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Why? The movie is a realistic story about immigrants in the US. | Fresh (11) Or what about the father, played by Schell, who is written as such a ham-handed heavy that he bursts through credibility? I saw this last night, and on the box somewhere it made reference to being a "Goodfellas" 'ish type of movie...or something along those lines. | Why? When I saw "Little Odessa" the film immediately caught me, and never let go. It plays a little as if he put everything into it that he ever wanted to say, or do, in a movie - even a closing shoot-out sequence that uses such stagy choreography it feels more like film school than any possible sequences of real events. As for Edward Furlong and Tim Roth, both of whom can be very good or very bad, lets just say they haven't been this good before or since. Little Odessa, also release under the title "Contract killer" is a very effectively and realistically told mobster movie, from the Russian community.

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