is a world, just as one knows oneself to be a world), Goldstein creates an effect that is richly emotional. I always try to use simple English, and yet I have talked to classes when quite a minority of the pupils did not comprehend more than half of what I said.—1889, Unless the present progress of change [is] arrested . Not “immigrants from Europe or Mexico.” Once again the people are not sociological categories. As Cosmopolitan’s editor from 1965 until 1997, Ms. Brown was widely credited with being the first to introduce frank discussions of sex into magazines for women. Who wouldn’t want to find out how this mystery will be solved? (v) Telling Right From Wrong has 120 pages of practical advice. see the light of day. 0000055824 00000 n Punctuation is apparently no longer taught. We find the little girl in the photograph endearing not because the author has stooped to telling us so with words like cute or adorable but because we can see her childlike mannerisms for ourselves—as the author herself is doing when pondering the little alien who somehow is her. This book helps you in every corner of difficulty you face when you stumble in writing. . REVERSE-ENGINEERING GOOD PROSE AS THE KEY TO DEVELOPING A WRITERLY EAR. This feedback is both for customers and Amazon’s customer service and vendor management team. It has the greatest insight (to me) of the whole book. Strunk was born in 1869, and today’s writers cannot base their craft exclusively on the advice of a man who developed his sense of style before the invention of the telephone (let alone the Internet), before the advent of modern linguistics and cognitive science, before the wave of informalization that swept the world in the second half of the twentieth century. How can worlds like these simply cease altogether? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. At the time that we write, the reader exists only in our imaginations. But unlike the authors of the classic guides, I don’t equate these virtues with plain words, austere expression, and formal style.7 You can write with clarity and with flair, too. I thought I would balance out my recent mathematical non-fiction read with a non-fiction read about the English language. May explain why academic writing is so dense (and that is not a comment on the authors). Every writer faces the challenge of finding a superlative in the English word-hoard that has not been inflated by hyperbole and overuse. And the orthodox stylebooks are ill equipped to deal with an inescapable fact about language: it changes over time. Education is an admirable thing,” wrote Oscar Wilde, “but it is well to remember from time to time that nothing that is worth knowing can be taught.”1 In dark moments while writing this book, I sometimes feared that Wilde might be right.
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